You do you. Everybody’s circumstances are different and if you think that they give no positive value to your family life then that’s the way to go. This would only be a potential strategy if you didn’t want to give them up.
Baptism is also a hard line a lot of Christians get on because they think it’s basic hell proofing moreso than the average rituals. It’s not like they will stop their general pressures if you agree… but on this particular point people have been known to risk it BIG because they believe the mortal soul is imperiled and it comes at a point when the kid is at their most physically vulnerable being practically newborn.
Risk assessment should be holistic. It’s not necessarily compromise and framing it that way risks it becoming more about a battle of egos. it’s about recognizing and having a real situation assessment free from personal emotional triggers about how best to respond to potential dangers that center the baby’s safety first in a way that can stop the police from getting involved because faith is not reasonable.
As a Set Dresser/On set dresser - any set build before a director sees it/ wideshot films it.
How it generally works is we get a bunch of stuff and… Something. This something can be as exact as a blueprint (techpack) that clearly marks where furniture is supposed to go or as vague as a one sentence long description of what the set is supposed to be. We are usually given a bunch of options for virtually everything that is used. Then we make up the set.
Then the waveform goes nuts. The Heirachy goes Set Decorator, Production Designer, and then Producer. They will randomly visit or call in sometimes separately and whatever plans that existed immediately cease to matter. The set may completely change a random number of times back and forth as anyone above us in the hierarchy demands unless it countermands a specific demand made by someone above the demander in the hierarchy.
That is until shoot day. Once the Director has the floor all of that prep goes immediately out the window and the director may change whatever they please about the set and while there’s usually too much time constraints to change everything it could mean getting rid of anything. The waveform only collapses to depict a singular reality once the wideshot is in the bag which means there is now a continuity that must (okay “must” is a strong word) be obeyed.