Xbox Live matchmaking was easy, sure, but before it became the norm on PC self-hosting servers was far more common, and there was something about the culture of a well-admined server that automatic matchmaking could never replicate – and in my opinion gaming as a whole is worse for losing that. Anonymous and unaccountable public lobbies give so much more leeway to assholes than you could get away with on a clan-hosted server.

All these companies that are suddenly having layoffs and/or enshittifying everything at once all shared the same basic business model (pardon the Bronze Age meme format from Slashdot…):

• Give goods or services away for free
• Attract customers on the basis of getting goods or services for free
• ???
• Profit!

Years of basically free debt service and stupid VC money let them kick the can down the road for a long time in terms of figuring out what Step 3 was gonna be, up to the point that many such services didn’t even bother, replacing both Steps 3 and 4 with “Sell to whichever FAANG is sucker enough to think they can leverage our userbase for their own product.” High interest rates have suddenly put a stop to the money party, though, and now they’re all scrambling to find ways of aggressively monetizing their services.

I know demakes are all the rage, but I don’t know if this counts. It’s just… the game, but on console hardware from a decade before Portal. That’s really impressive, especially given just how restrictive some of the limits of the N64 are.

He’s on the Kansas side, which for all its own foibles is at least not Missouri.

Yeah, lab work has the cultural cachet of STEM and knowledge work, but looks a lot more like manual labor in practice. One of the lab planners at my current employer switched careers after getting her master’s because pipetting thousands upon thousands of well plates for her research gave her severe repetitive stress injuries that made it unbearable to continue working in the lab.

Biotech has another problem, in that the VC money --and therefore the job market – is concentrated in a small number of HCOL metros. A friend of mine founded a startup out here in the Midwest, and he struggles to attract enough funding to retain staff who are constantly being lured away to the coasts by better-funded firms offering better pay, even though that money wouldn’t go nearly as far in a place like SF or Boston compared to Kansas City.

I work in architecture, a field that is also notorious for long hours, excessive crunch time, and mediocre pay. Real-time 3D graphics have started to become important to the design process over the last several years, and at a previous firm I met a 3D vis guy who’d transitioned into my industry from a job at a game developer, “because the hours and pay are so much better.” It boggled my mind that conditions could be so much worse in game dev that my own field would be an improvement.

Priorities will always shift as we move though the different seasons of life, and for sure the launch of a big marquee title that I’m interested in doesn’t have the same drama it did, now that I’ve lived though a couple-few decades of them. I have to say, though, that I still love the experience of being transported to a fantasy setting, or exploring a strange new world with friends, or testing my skill against other players. I’m looking forward to when I can introduce the hobby to my kid, and share that joy with him.

If people want to live in a fully-automated luxury space communist utopia where everyone is free from want and able to make and release games for free as passion projects, that’s great, and a worthy goal to work towards, but promoting piracy on principle without concern for how developers will be supported during their work in the context of our current capitalist society is somewhere between naive at best and self-serving rationalization at worst.

I hit a difficulty wall in the Wrecker’s Cave and never picked the game back up. So far BG3 has been more forgiving, but Larian games don’t suffer fools gladly.

Also that example of Tomb Raider is really disingenuous, the level of fidelity in the environments is night and day between the two as well as the quality of animation. In your example the only real thing you can tell is the skin shaders, which are not even close between the two, SotTR really sells that you are looking at real people, something the 2013 game approached but never really achieved IMO.

I’ve noticed this a lot in comparisons claiming to show that graphics quality has regressed (either over time, or from an earlier demo reel of the same game), where the person trying to make the point cherry-picks drastically different lighting or atmospheric scenarios that put the later image in a bad light. Like, no crap Lara looks better in the 2013 image, she’s lit from an angle that highlights her facial features and inexplicably wearing makeup while in the midst of a jungle adventure. The Shadow of the Tomb Raider image, by comparison, is of a dirty-faced Lara pulling a face while being lit from an unflattering angle by campfire. Compositionally, of course the first image is prettier – but as you point out, the lack of effective subsurface scattering in the Tomb Raider 2013 skin shader is painfully apparent versus SofTR. The newer image is more realistic, even if it’s not as flattering.

About $500 of the ~$600 million they’ve raised is mine, dating from the original crowdfunding campaigns and the first year or two of development. I still check in every year or two to see if they’re any closer to having a complete game, and every time I do, I come away with the sense that they’ve put vastly more effort into developing and selling spaceship JPEGs than they have into making the game those spaceships are supposed to be used in.

I’m fairness, incomplete chunks is all that exists of Star Citizen.

Well, that and a whaling operation on the scale of Victorian England’s.

I’m willing to be surprised by it, but I’m not optimistic for Starfield. What I’ve seen of it so far looks mainly like they grafted chunks of No Man’s Sky onto a Bethesda Fallout game and are trying hard to pitch it as The Next Big Thing. Frankly, I’d much rather have the next mainline Elder Scrolls game instead, but at this rate I’m going to be 40 before I get to play a sequel to a game that came out in my 20s.

Honestly, I remember playing full 3D titles on friends’ PS1s back in the day and thinking they’d given me eye cancer, even with the fuzz of an old CRT TV working in their favor. I don’t think I would want to play them now without a boatload of emulator graphic enhancements to deal with all the wonky 3D projection and unfiltered low-res texture mess of OG PlayStation games.

The thing about EVE is that caveat emptor is the social contract, and as long as you don’t get your dander up about being pirates or scammed, the “bad guys” are more than willing to help you learn to avoid the next trap. I was once part of an “anti-piracy” roaming fleet that got bored with the quiet night, and ended up jumping a newbie who was hanging out where they shouldn’t have been, tackling his ship, and proceeding to ransom it back to him for the princely sum of 1 ISK while we laughed our heads off in Teamspeak. Then we sent him on his way with a few hundred thousand ISK extra, some pointers on highsec versus lowsec, and the valuable lesson that there were always sharks on the prowl for easy prey.

I only want it if it comes with a college-level entomology textbook about bees packed in the box with it, like SimAnt had.

Seems more like a question of visual acuity and reflexes rather than social acceptability. Unless twitch shooters get a “large print mode” for senior gamers I think the old folks home LAN parties are gonna be dominated by turn-based strategy games.

Well, you see, a story-driven singleplayer campaign just isn’t as good of a platform for selling $1000 jpegs of spaceships to whales with terminal cases of sunk-cost fallacy, so unfortunately it had to be put on the back burner.

SimAnt has a warm, weird place in my heart, not least of which for the massive doorstop of a manual that it came bundled with, full of all kinds of science trivia about ants, including something like a very long term paper or a small textbook about them at the back! What a different era that was.

> Besides, you can literally drive off into the sunset with Judy and Panam in one of the endings.

Guess which ending I did :)

But yeah, I get your point, and I do agree, at least partially. The game’s world is a classic cyberpunk dystopia, and it is honestly one of the few representations of that world that really drives home what an oppressive and controlling reality that would be. I think that the way that CDPR doesn’t flinch away from telling a story where the hero and all their friends unload everything they have at the Powers That Be and it barely even leaves a mark is admirable… but at the end of the day I play games to get away from our miserable reality, and CP2077 felt just a bit to on-the-nose. I know why there’s no ending where V conspires with Johnny and Alt to colony-drop the Arasaka orbitals on Corpo Plaza, and establishes a solarpunk anarcho-syndicalist commune in the wreckage, but I still kinda want it, you know?