Debian – I just wasn’t ready for it. Got told “oh you’re using Mint? That’s nice but you should try out Debian it’s the Real Deal™” but the reason I was using Mint back then in the first place was that it was my first step out of the Windows ecosystem, I was scared shitless and didn’t understand anything. What do you mean I don’t get a huge pretty start menu?! How am I supposed to find stuff then?!
Back in high school we played a game of this on the occasional Thursday night, as well as one long term game that took months and had its own dedicated wiki. It got pretty surreal pretty quick. The one set day a month you got penalized for each time you used a foreign loanword was brutal.
the peak of your civilization
I really hoped we would get a PS6 with a built-in stern cartoon Xi blocking the buy button in the PS store, pointing his finger and shouting “No! Finish your backlog first!” but I guess you can’t have everything in life
Add a “refuse” button that pops up a short text box detailing the consequences. The End, credits roll. Problem solved, now they can all go explain to everyone on the forums why this is the best ending
Now of course one could make some damning argument about the state of the tech industry in practice, resulting in one of those bell curve memes with “using SQLalchemy is a sin” on both far sides and “noooo it’s just a name it’s fine there’s no fraud involved” in the middle
Things I remember from this game: you fight scumbag inc. on behalf of douchebag inc., inter-stage shopping and wishing you could afford the twin blue lasers, 1-1 stage theme
Red Ed Redemption 2
After Liz Truss’ 50-day tenure I truly believe anything is possible
Just because I’m calling it “hype” doesn’t mean I’m bashing the game,
Motte and bailey
How are we even having this discussion in a world where Cosmic Star Heroine exists…
We also had backseat modding and obnoxious rhetorical questions back on reddit, if you really insist we have this discussion
underrated comment
Have you seen Mystic pop up bar? Or tomorrow? Both are about the after life.
Welp. Out with it, I guess: I have extreme fatigue with the urban fantasy “myth and legend is TRUE but in an ordinary and relatable way! What if Zeus was one of us, just a slob like one of us…” concept. I don’t know who to blame / give credit for kick-starting this ubiquitous trend; Probably the origin fission event was the early 2000s releases of Gaiman’s American Gods and Square / Disney’s Kingdom Hearts video game, and the critical threshold was crossed with Once Upon a Time. Back then the idea floored me and I couldn’t get enough of it, now I feel I’ve drunk my fill of it for a lifetime. Whatever remaining capacity for this stuff I had – “but what if it’s really funny and really clever and really profound and everything you like in a show, huh, what then?” – was taken care of by The Good Place. So, I’m sure those are very good shows, I’m just the worst person you could ask to appreciate them.
My wife is the real Kdrama nut, I think she’s on her way to the point where she’s literally watched everything. I’m more picky and join her when something catches my interest. And it’s turned out to be a Netflix original nearly every time, so I am, through no fault of my own, a corporate shill.
Cheesy romance wise, I probably best liked Crash Landing on You. First of all the sheer production value pulling off the concept, and second of all the drama doesn’t spend its entire run in the comfort zone of “will they? won’t they? can they? can’t they?” that 90% of dramas seem to wander around endlessly up to episode 15.9. At some point the ML and FL just… get together and do couple stuff while the crazy plot goes on around them, I say that’s a seriously underrated feature. The show’s weak point was the villain who at every point was exactly as menacing and resourceful as he needed to be: one moment he can teleport anywhere, follow anyone and summon infinite henchmen, the other moment he fumbles all his advantages and comes inches from death. It’s clear the action and intrigue weren’t the main focus for this show, and were used more as enablers for the star-crossed lovers to act out their story. Also I will never get over how the filming for this show involved two actors who were totally into each other and trying to hide it, playing two characters who were totally into each other and trying to hide it. I can just imagine the crew sitting there and thinking “wow! This is really believable acting!”
Intrigue wise – I’m tempted to say “Defendant” just because of the insane opening theme and the ML’s memetic rage (“CHA MIN-HOOOO!!!”) but the one that comes to mind is the recently-released “The Glory”. It is basically a sprawling and visceral revenge plot; a bunch of assholes being set up to destroy one another by the person who they wronged, where the lead asshole puts up a fight and you always have this suspense of “who thought X+1 steps ahead this episode”. In that respect it’s similar to the non-Korean Revenge (2015) starring Emily VanCamp (but thankfully avoids that show’s profound seasonal rot, which culminated in a final season built on the premise that the one character whose death set the entire show in motion was actually alive after all – I feel no shame in spoiling that). A similar and even grittier experience is “My Name”, also a brutal revenge story that invites you to guess the twist between one gut punch and the next.
WTF-wise I recently watched “The Interest of Love” and could not look away from it, like a terrible car accident. I don’t even know what to call it, the negative inverse of a love story maybe. When I grow old and forget every other kdrama I will still remember the FL from “The Interest of Love” and her pithy, soul-destroying one-liners. At some points I remember clapping and cheering at the particularly cruel ones as a defense mechanism. I don’t have the words to articulate the gaping hole at the core of this drama where a heart should be; maybe I can say the big emotional idea is kind of like the Basic Instinct movies – deep down the ML knows he is being slowly eaten alive but he won’t walk away, he can’t walk away, deep down in a perverse way he wants this and needs this, and so do the writers, the lord have mercy on their souls. It was certainly an experience, a piece of impossibly sour candy.
Sci-Fi wise I fondly remember “Sisyphus”. It’s the mirror image of “Crash Landing”: The love story is nothing to write home about, but the surrounding plot, wew lad. There’s time travel and an evil future at war with the present, basically like a more intelligible version of Nolan’s TENET. I can barely remember any of it now but at the time I remember being decently impressed with it, and that’s after reaching a point where I felt I’ve already seen every kind of sci-fi bullshit and nothing could impress me anymore. I particularly liked how they skirted around the whole issue of “how do the people with time travel not just stomp over all the obstacles in their path”, which to my taste was disastrously handled in e.g. “Signal”.
These sorts of vague sentiments, “why is the news full of negativity? And have you noticed common sense is very far from common?” are always popular – right up until one is forced to put a finer point on what popular opinions exactly need to lose support because they lack common sense, and which ongoing crisis exactly needs to have less media exposure so as to increase the ambient positivity
That game stands out in so many unique ways. The story is emotionally mature, the challenge is very tough but very fair, and the soundtrack by Lena Raine is gorgeous
Two govt spooks are hunting a dangerous fugitive who is also a humanities graduate. He escapes into a sprawling maze of tunnels. “It’s hopeless,” one of the spooks says. But the other simply says, “Watch.” then proclaims loudly, “studying linear algebra is important because of its use in stochastic processes and image manipulation.” Before he finishes the sentence, the fugitive emerges back out the tunnel and shouts, “but what’s even more important --” and is immediately knocked unconscious and taken for questioning
To me vim’s main strengths are
20dd to delete 20 lines, that’s very neat.I think ChatGPT can do a decent job of this already. Example.
Obviously, yes, but at that level of knowledge as a user, you either don’t know about that or don’t feel comfortable enough to deal with it.