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Joined 1 year ago
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Cake day: July 12th, 2023

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  • I imagine the largest mobile phone operating system on the planet has a few more downloads than one of the several available package managers for the comparatively very small desktop Linux audience, yeah. This is the Linux community, not the Android or Google community, so I’m not sure what you’re yapping away about or why.

    edit: i wanted to know how many devices run android and according to this it’s three billion so you’re wrong anyway lmao


  • paris@lemmy.blahaj.zonetoLinux@lemmy.mlDeduplication tool
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    5 months ago

    I was using Radarr/Sonarr to download files via qBittorrent and then hardlink them to an organized directory for Jellyfin, but I set up my container volume mappings incorrectly and it was only copying the files over, not hardlinking them. When I realized this, I fixed the volume mappings and ended up using fclones to deduplicate the existing files and it was amazing. It did exactly what I needed it to and it did it fast. Highly recommend fclones.

    I’ve used it on Windows as well, but I’ve had much more trouble there since I like to write the output to a file first to double check it before catting the information back into fclones to actually deduplicate the files it found. I think running everything as admin works but I don’t remember.





  • Radar and Sonarr are tools to track movies and TV shows respectively. You can add a movie/show to track, tell it the quality you want it in, and set up Prowlarr or Jackett to give Son/Radarr the access to the torrent trackers it needs. You can also use Usenet but I have no experience there.

    It will search those torrent trackers for releases matching your movies/shows in the quality and language you set for them and send the downloads to the torrent client you set up. When the client finishes downloading, Son/Radarr copies (or hardlinks) the files to your library folders.

    If Son/Radarr is tracking a show that you currently have downloaded in 480p, but the quality profile allows upgrades up to 1080p, it will search for 720p and 1080p releases and pick the best match it can find. When the torrent client finishes downloading it, Son/Radarr will automatically replace the 480p release with the 1080p release it just downloaded.







  • I don’t think this lends enough credit to how centralized the music industry is and the role that plays. If you want the world’s music catalogue, you need contracts with like three companies. That level of centralization makes it straightforward to get a music catalogue going with basically everything someone might want to listen to, but it also severely hampers your ability to do anything those three companies don’t want. If anyone’s wondering why Spotify is pushing podcasts so hard, it’s because that’s the only way for them to get out from under the thumb of the few music megacorps that they have to license from to stay relevant. Spotify needs a revenue stream less dependent on the big three and it sees podcasts as its way out.

    I’m sure music files being smaller and easier to pirate helped light a fire under the ass of the music industry to modernize, but that isn’t the only factor at play here and I don’t even think it’s one of the main ones. If I recall correctly, Spotify is the company who went to the music labels asking for a contract. In order to show that the tech works, they had to pirate the initial catalogue until they had deals with music labels to license the music. Spotify brought their streaming vision to the music industry, not the other way around.

    I believe Netflix had a good catalogue at first because every other company was sleeping on the streaming boom that Netflix was ahead of the curve on. Netflix could get good streaming license deals because nobody really cared about this little company they’d never heard of. As soon as everyone realized what was up, they scrambled to copy Netflix and pulled their libraries to fracture the streaming space.

    From the start, the music industry knew what Spotify was and could be and knew how to use their leverage to keep themselves on top (Spotify isn’t functionally allowed to be their own license for music creators, for example). I don’t think the movie streaming space realized what Netflix was until it blew up.

    I don’t think the problem is that movie/tv hasn’t “figured it out.” The music space would be just as fractured if it wasn’t as centrally organized. I think the problem is that the industries are just structured really differently, so they played out really differently.

    To be clear, I’m not defending the music or movie/tv industry. I just think the situations are more nuanced than “music freaked out and got their shit together and movie/tv hasn’t yet.”